| LAURA PARKER |
| images |
| animations |
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| bio |
| resume |
| cv in pdf |
| reviews |
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| BORN | |
| La Grange, IL. Lives and Works in Pasadena, CA |
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| EDUCATION | |
| 1986 | MFA in Photography, California Institute of the Arts, Valencia, CA |
| 1982 | BFA in Art, Magna Cum Laude, University of California, Los Angeles |
| 1978 | Studies in Photography and French Literature, University of California, Santa Cruz |
| SELECTED SOLO AND TWO-PERSON EXHIBITION | |
| 2018 | Carolie & Laura Parker, (forthcoming) Big Town Projects Gallery, Rochester, VT |
| 2017 | Imagining Infinite, SPARC, South Pasadena, CA (solo) |
| 2015 | Room One, Casa Marengo Studio, Los Angeles, CA (solo) |
| 2014 | Photo Independent, exhibiting artist, Los Angeles, CA (solo) |
| 2011 | Rotations and Rubbings, dnj Gallery, Santa Monica, CA (solo) |
| Laura Parker and Ken Gonzales-Day, The Theater at Boston Court, Pasadena, CA | |
| 2010 | Pot Bottoms and Naked Eye Objects, Matrushka, Los Angeles, CA (solo) |
| Rotations and Animations, Armory Center for the Arts, Pasadena, CA (solo) | |
| 2008 | dnj Gallery, Los Angeles, CA (solo) |
| 2005 | Matter and Acts, Davis & Cline Gallery, Ashland, OR (solo) |
| 2004 | New Work, David & Cline Gallery, Ashland, OR (solo) |
| 2003 | Laura Parker, Coleen Sterritt, Davis & Cline Gallery, Ashland, OR |
| 2001 | Laura Parker and Steven Peckman, ArtForm, Los Angeles, CA |
| 1997 | Richard Heller Gallery, Santa Monica, CA (solo) |
| 1994 | Jan Kesner Gallery, Los Angeles, CA (solo) |
| 1992 | Rio Hondo College Art Gallery, Whittier, CA (solo) |
| Kitchen Fiction and Contraception, The Guest Room, Los Angeles, CA (solo) | |
| 1989 | Fahey/Klein Gallery, Los Angeles, CA (solo) |
| 1982 | St. Light, White Room Gallery, University of California, Los Angeles (solo) |
| MUSEUM EXHIBITIONS | |
| 2018 | CO/LAB III, LA/Belin, (PØST/LAGE EGAL), Torrance Art Mueseum, Torrance, CA |
| 2011 | Influential Element: Exploring the Impact of Water, Long Beach Museum of Art, Long Beach, California |
| 2006 | Telling, Torrance Art Museum, curated by Kristina Newhouse, Torrance, CA |
| 2004 | Shakespeare as Muse, curated by Josine Starrels, Schneider Museum, Ashland, OR |
| 1995 | PLAN: Photography Los Angeles Now, organized by Robert Sobieszek and Tim Wride, Los Angeles County Museum of Art, Los Angeles, California |
| 1993 | Sugar 'n' Spice, Long Beach Museum of Art, Long Beach, California (catalogue) |
| VIDEO SCREENINGS | |
| 2013 | Narrative Space: Fresh Perspectives, Venice Arts, Venice, CA |
| Rock the Boat, Tractionarts, Los Angeles, CA (solo) | |
| 2012 | Commodores, Coastline Community College Art Gallery, Huntington Beach, CA |
| 2011 | 2/2/11 @ The Pilot Light, organized by Pam Jorden and John Pearson, Knoxville, TN |
| 2010 | Rotations and Animations, The Armory Center for the Arts, Pasadena, CA |
| SELECTED GROUP EXHIBITIONS | |
| 2019 | Elemental Landscape, (forthcoming) Brand Library Art Gallery, Glendale, CA |
| Awareness, dnj gallery, Santa Monica, CA | |
| UltraChrome Plus, DENK Gallery, Los Angeles, CA | |
| Rock the Boat, TRACTIONARTS, Los Angeles, CA | |
| Medium, FOCA, Los Angeles, CA | |
| 2018 | LSV Human/ Nature, (forthcoming) LAVA Projects, Alhambra, CA |
| Where There's Smoke, (forthcoming) SCRANCH, Wonder Valley, CA | |
| 2017 | Photography + Science, curated by Laura Moya, Yixian Photo Festival, Yixian, China |
| Photography + Science, curated by Laura Moya, Yixian Photo Festival, Lishui, China | |
| Fiesta Cubana! Benefit Auction, Pasadena Museum of California Art, Pasadena, CA | |
| Co-Exist; Seeing with Animals, Estern kentucky University, Richmond, KY | |
| PØST Los Angeles Art Auction, PØST, LA, CA | |
| Monster Drawing Rally, The Armory Center for the Arts, Pasadena, CA | |
| 2016 | I'll be your mirror, Wayfarers, Brooklyn, New York |
| PØST Los Angeles Art Auction, PØST, LA, CA | |
| 2015 | Monster Drawing Rally, The Armory Center for the Arts, Pasadena, CA |
| 2014 | 6018 Wilshire, Edward Cella Art + Architecture, Los Angeles, CA |
| AIDES/ ART IS HOPE, PIASA, Paris, France (catalog) | |
| Captured Image, Vintage to Contemporary Photography, Norco College Art Gallery, Norco, CA | |
| Armory 25th Annual Benefit, Silent Auction, The Armory, Pasadena, CA | |
| 2013 | One-of-a-Kind, RayKo Photo Center, San Francisco, CA |
| In Progress, dnj Gallery, Santa Monica, CA | |
| Off the Wall, Armory Center for the Arts, Pasadena, CA | |
| 2012 | Hidden Visions, Kontor Projects, Copenhagen, Denmark |
| 2012 Summer Collections, dnj gallery, Santa Monica, CA | |
| 2011 | No Mirrors (camera-less photography), Rayko Photo Center, San Francisco, CA |
| Speak for the Trees, SCAPE, Corona Del Mar, CA | |
| 2010 | DRAFT, 643 Project Space, Ventura, CA |
| Contemporary Photograms: Uniquely Simple, dnj Gallery, Los Angeles, CA | |
| 2009 | Photo LA, with dnj Gallery, Los Angeles, CA |
| Five Artists in the 700’s, Alhambra High School Library, Alhambra, CA | |
| 2008 | At the Brewery Project, AVAGO, curated by Noel Korten and John O'Brien, The Armory Center for the Arts, Pasadena, CA |
| Monster Drawing Rally, Outpost for Contemporary Art, Los Angeles, CA | |
| Francophonie, Alliance Francaise and the Armory Center for the Arts, Pasadena, CA | |
| 2007 | SCAPE, three person show, Corona del Mar, CA |
| Haus Guests, The Brewery Project, Los Angeles, CA | |
| 2006 | Focus on Photography, Venice Art Walk, benefit for Venice Family Clinic, Venice, CA |
| 2005 | We put our love where we put our labor, PCC College Art Gallery, Pasadena, CA |
| LA ARTS For Katrina, Los Angeles Design Center, Los Angeles, CA | |
| Venice Art Walk, benefit for Venice Family Clinic, Venice, CA | |
| 2004 | Spotting: the viewing devices of Chenoweth, Davis and Parker, Pasadena City College Art Gallery, Pasadena, CA |
| Miniature Worlds, The Brewery Project, organized by Noel Korten and Carolie Parker-Lopez, Los Angeles, CA | |
| Ultrachrome, Carl Berg Gallery, Los Angeles, CA | |
| Andrew Shire Gallery, Los Angeles, CA | |
| Analog/Digital, Irvine Fine Arts Center, Irvine, CA | |
| The Armory Show, with Raid Projects Los Angeles, New York City, NY | |
| H20, Sam Francis Gallery, Crossroads School, curated by Lothar Schmitz, Santa Monica, CA (brochure) | |
| Venice Art Walk, benefit for the Venice Family Clinic, Venice, CA | |
| 2003 | Fragments, with Immediat Kultur!, PS Amsterdam, Netherlands |
| Art & Architecture 420.422.424, Venice Group, Venice, CA | |
| Inaugural, HAUS, Pasadena, CA | |
| Museart: Poems about Art, Art about Poems, Krueger Gallery, Pasadena, CA | |
| 27 Years of Artists, Jose Drudis-Biada Art Gallery, Mount St. Mary's College, Los Angeles, CA | |
| Venice Art Walk, fundraiser for Venice Family Clinic, Venice, CA | |
| 2002 | Room with a View, Raid Projects, Los Angeles, CA |
| Out of the Digital Domain, Irvine Fine Arts Center, Irvine, CA | |
| California Sampler, Davis & Cline Gallery, Ashland, OR | |
| Of Shadow and Sun, with Monica Furmanski and Carole Silverstein, Bliss Gallery, Pasadena, CA (brochure) | |
| 2001 | Mixed Bag, Inaugural Exhibition, Raid Projects, Los Angeles, CA |
| Stone Soup, Three Day Weekend, Los Angeles, CA | |
| 2000 | Inland Specific, (installation), Armory Center for the Arts, Pasadena, CA (catalogue) |
| The Part to the Whole, Laband Gallery, Loyola Marymount University, Los Angeles, CA (catalogue) | |
| 1999 | Another Unclefucking One Hundred Dollar Show, Gallery 207, Los Angeles, CA |
| Twig, Brewery project, Los Angeles, CA | |
| 1998 | Women Who Shoot, Newspace Gallery, Los Angeles, CA |
| The Canvas is Paper, Hammer Museum Art Rental and Sales Gallery, Los Angeles, CA | |
| 100-Dollar Show & Up, POST, Los Angeles, CA | |
| Element #47: emerging, 1078 Gallery, Chico, CA | |
| 1997 | The Gramercy International Photography Fair, New York City, NY |
| Chimera, Angels Gate Cultural Center, San Pedro, CA | |
| 1996 | Perspectives of Nature, Jan Abrams Fine Arts, New York City, NY |
| 100-Dollar Show, POST, Los Angeles, CA | |
| Still Life... Still Here, curated by Josine Ianco-Starrels, Hunsacker/Schlesinger Gallery, Santa Monica, CA | |
| Documenta, curated by Bill Radawec, Huntington Beach Art Center, Huntington Beach, CA (catalogue) | |
| Pursuing the Undocumentable, curated by Sue Spaid, photo l.a., Los Angeles, CA | |
| 1995 | P.L.A.N.: Photography Los Angeles Now, organized by Robert Sobieszek and Tim Wride, Los Angeles County Museum of Art, Los Angeles, CA |
| Reflections, Jan Abrams Gallery, Los Angeles, CA | |
| December Twentieth, organized by Bill Radawec, Richard Heller Gallery, Santa Monica, CA | |
| New Visions: Los Angeles Art in the 90’s, Hammer Museum Art Rental and Sales Gallery, Los Angeles, CA | |
| Contemporary Photography: The California Focus, Hammer Museum Art Rental and Sales Gallery, Los Angeles, CA | |
| 1994 | Labor and Leisure, John Michael Kohler Arts Center, Sheboygan, WI |
| Breda Fotografica '94, De Beyerd Center for Contemporary Art, Breda, Netherlands (catalogue) | |
| Detours, Side Street Projects, Santa Monica, CA | |
| Huysmans Against Nature, organized by L. Paddock, Art Center College of Design, Pasadena, CA | |
| Cups, Space Gallery, Los Angeles, CA | |
| 1993 | About Place, Los Angeles Municipal Art Gallery, Los Angeles, CA (brochure) |
| re/Search, re/View, re/Act, The Brewery Project, organized by Mark Johnstone as part of the M.Y.T.H. series, Los Angeles, CA | |
| The Death and Resurrection of Nature, curated by Tim Jahns, Laband Gallery, Loyola Marymount University, Los Angeles, CA (brochure) | |
| 1992 | The Laura Show, curated by Rory Devine, TRI, Los Angeles, CA |
| Fluid Measure, curated by Buzz Spector, Nomadic Site at the Frances Howard Branch of the Los Angeles Public Library, Los Angeles, CA (catalogue) | |
| FAR Bazaar, The Old Federal Reserve Building, Foundation for Art Resources, Los Angeles, CA | |
| Hysteries, Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA | |
| Boomerang, Benefit for Act Up! and the Magic Johnson Foundation, Thomas Solomon's Garage, Los Angeles, CA | |
| Surface Two, Part 2, Randall Scott/TBA Gallery, Los Angeles, CA | |
| 1991 | Photo Salon, Turner/Krull Gallery, Los Angeles, CA |
| It's A Wonderful Life, curated by Randall Scott, The Gallery at 817, Los Angeles, CA | |
| Five Days, Thomas Solomon's Garage, Los Angeles, CA | |
| 1989 | The Third One Out, BC Space, Laguna Beach, CA |
| Mystical Objects, Sacred Places, curated by Mark Johnstone, Security Pacific Gallery at the Plaza, Los Angeles, CA (catalogue) | |
| Unconventional Perspectives, G. Ray Hawkins Gallery, Los Angeles, CA | |
| 1988 | Brand Library Art Gallery, Los Angeles Center for Photographic Studies Members Exhibition, curated by William Olander, Glendale, CA |
| 1987 | The First Pacific A-More Christmas Exhibition, organized by Thomas Solomon, Los Angeles, CA |
| Women Photographers in America, Los Angeles Municipal Art Gallery, juried by Catherine Lord and Judith Keller, Los Angeles, CA | |
| Group show, curated by Alice Beamish, St. Andrew’s Priory, Valyermo, CA | |
| 1982 | The Erotic in Photography: Contemporary Trends, Cameravision, juried by A.D. Coleman, Los Angeles, CA |
| SELECTED CURATORIAL PROJECTS | |
| 2011 | Kireilyn Barber, POST, Los Angeles, CA |
| One Picture/One Paragraph, saintlucy, www.saint-lucy.com | |
| 2009 | Five Artists in the 700’s, Alhambra High School Library, Alhambra, CA |
| 2004 | Spotting, Pasadena City College Art Gallery, Pasadena, CA |
| 2000 | Parker Studio Opening Exhibition, Pasadena, CA |
| 1999 | Twig, a thematic assortment of sculpture and photography curated by Laura Paddock and Laura Parker, Striking Distance, www.strikingdistance.com |
| SELECTED REVIEWS AND PUBLICATIONS | |
| 2017 | Jastrab, Ann. "Laura parker,"all-about-photo.com/photo-articles, May 24 |
| Schlosser, Julia. “Co-Existence,” Catalog for Seeing with Animals Conference Eastern Kentucky University, p. 36, p. 91-92 | |
| 2011 | Zellen, Jody. “Continuing and Recommended,” ArtScene, July/August, p. 21 |
| 2010 | Harley. "Weekend Bender", Coaglula.com, March 6 |
| 2009 | Smithson, Aline. "Laura Parker", Feature, Lenscratch.Blogspot.com, Dec.22 |
| 2004 | Myers, Holly. “A print-off in one kind of ink,” (highlight) Los Angeles Times, August 20, p. E28. |
| Wood, Eve. "Water Everywhere,” (color reproduction) Artnet.Com, March 4. | |
| Dambrot, Shana Nys. “H2O at the Sam Francis Gallery, Crossroads School,” Artweek, April, p. 20. | |
| 2003 | Aldous, Vickie. “Line, color and content at Davis and Cline,” Ashland Daily Tidings, Ashland, Oregon |
| Thornburg, Barbara. “Living with Art,” (color reproduction) L. A. Times Sunday Magazine, September 28, p. 55. | |
| 2002 | Furmanski, Jon. Catalog Essay, “Of Shadow and Sun,” (color reproduction) Bliss, Pasadena, California. |
| Koppman, Debra. “L.A. Sampler,” Previews, Artweek, June, p. 6. | |
| Zlotnick, Diana. “An Interview with Three Artists Recently Shown at Bliss,” Newsletter on the Arts, May/June 2002. | |
| 2000 | Miles, Christopher. “The Part to the Whole,” (color reproduction) Catalog Essay, Laband Gallery, Los Angeles, California. |
| Donohue, Marlena. “The whole and the sum of its parts,” (photograph reproduced) Los Angeles Times (Westside Calendar), January 2, p. 6. | |
| Frank, Peter. Gallery Picks of the Week: “The Part to the Whole,” “The Visionary Landscape,” LA Weekly, February 11-17, p. 138. | |
| Fleming Vayda, Priscilla. “Through camera’s eye” Cheers! Pasadena Star News, November 3, p. 6. | |
| 1997 | Martin, Victoria. “Laura Parker at Richard Heller Gallery,” (image) Artweek, June, p. 25. |
| 1996 | Spaid, Sue. “Phantasmic Photography: Marking Space for the Unconscious State of Wonder,” Catalog Essay, photo l.a. |
| Knode, Marilu. “Documenta: The California Years,” Catalog Essay, Huntington Beach Art Center p. 24, (reproduction). | |
| Frank, Peter. “Art Picks of the Week: Patrick Wilson, Mireille Gros, Still Life... Still Here,” LA Weekly, February 16-22. | |
| Dunlap, Doree. “‘Documenta’ then and now,” Orange County (OC) Weekly, March 1-7, p. 19. | |
| Mendenhall, Lauri. “Documenta: Huntington Beach Art Center’s exposition of emerging art stars,” Coast Magazine, February 1, p. 28. | |
| 1994 | “Multiple Choice,” New Observations (New York, NY), Issue 100, March/April, p. 18-19, Edited by Jody Zellen and Susan Kandel. |
| 1993 | DiMichelle, David. “re/Newed Effects,” Artweek, November 18, p. 15. |
| Gamblin, Noriko. “Sugar 'n' Spice” Catalog Essay (w/ image) Long Beach Mus. of Art. Rugoff, Ralph. “Sex Objects,” LA Weekly, April 2-8, p. 35. | |
| Frank, Peter. “Intriguing Works By New Generation of Women Artists,” Long Beach Press-Telegram, March 12, p. 14. | |
| Curtis, Cathy. “Nice 'n' Subversive,” Los Angeles Times (Orange County Edition), March 18, p. 4. | |
| Kapitanoff, Nancy. “Delving Into the Nature of Nature,” Los Angeles Times, Westside Calendar, March 28, p. 96. | |
| Kandel, Susan. “The Binge Purge Syndrome,” Art Issues, (with image) May/June, p. 19-22. | |
| Anderson, Michael. “Sugar 'n' Spice,” Art Issues, May/June, p. 39. | |
| Roth, Charlene. “Kitchen Fiction,” Artweek, May 20, p. 24. | |
| Adams, Emily. “Best Bet,” Los Angeles Times (East Valley), May 9. | |
| 1992 | Duncan, Michael. “Projections and Speculations about a Guest Room: 13 Variations,” The Guest Room Catalog (with image document). |
| Frank, Peter. “Art Pick of the Week: Connections; Fluid Measure,” LA Weekly, October 2-8. | |
| Kandel, Susan. “Discreet Liaison,” Los Angeles Times, September 17, p. F4. | |
| Spector, Buzz. “Fluid Measures,” (w/ image) catalog in conjunct. with Fluid Measure. Kandel, Susan. “Grouping of Lauras Shows Arbitrary but Witty Choices,” Los Angeles Times, September 3, p. F4. | |
| Kapitanoff, Nancy. “Art Notebook,” Los Angeles Times (Westside/Valley Edition), August 9 | |
| 1991 | “Portfolio 1991,” Frame-Work (L.A.), color reproduction, p. 12. |
| 1989 | McKenna, Kristine. “Mystical Objects,” Los Angeles Times, November 7. |
| Frank, Peter. “Art Pick of the Week: Robert Frank; Allen Ginsberg; Laura Parker,” LA Weekly, November 24. | |
| Gerstler, Amy. “Mystical Objects,”Mystical Objects, Sacred Places. Los Angeles: Security Pacific Bank (illustrated exhibition catalogue) 1989: pp. 14-15. | |
| Donohue, Marlena. “The Galleries,” Los Angeles Times, November 3: pp. F26-F27. | |
| “Photography in Los Angeles,” LA Style Magazine, color reproduction, June (4th Anniversary Issue), p. 185. | |
| SELECTED AWARDS AND HONORS | |
| 2010 | City of Pasadena Individual Artist Fellowship |
| 1995 | City of Pasadena Individual Artist Fellowship |
| 1993 | About Place, Exhibition Honorarium, Los Angeles Municipal Art Gallery |
| 1986 | Pasadena Centennial Purchase Award Winner, juried by Josine Ianco Starrels, John Outterbridge and Helen Pashgian |
| MAGAZINE COVERAGE OF PARKER STUDIO | |
| 2002 | dwell “The Box Outside,” by Deborah Bishop p. 77 |
| Architectural Record, “Design Vanguard 2002,” by Joseph Giovannini, pps. 87 & 97 | |
| SELECTED PRIVATE AND PUBLIC COLLECTIONS | |
| Adagio Hotel, San Francisco, California Aurora Capital Group, Los Angeles, California The Boston Consulting Group, Philadelphia, Pennsylvania The Capital Group Companies, Los Angeles, California The Walt Disney Company, Burbank, California Girard, Ellingsen, Christensen & West, Los Angeles, California The Hale Building, Pasadena, California Pasadena Public Library, Pasadena, California Santa Barbara Museum of Art, Santa Barbara, California Spelling Entertainment, Inc., Los Angeles, California |
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| ACADEMIC APPOINTMENTS | |
| 2010-now | Instructor, Adult Photography, Armory Center for the Arts, Pasadena CA |
| 2011-13 | Instructor, Photo I, Photo II and AP Photography, Mayfield Senior School, Pasadena, California |
| 2008 | Instructor, Photography, Department of Art, University of California, Riverside |
| 2007 | Instructor, Photography, Department of Art, Loyola Marymount University, Los Angeles, CA |
| 2006 | Instructor, Photography, Department of Art, University of California, Riverside |
| 2005-06 | Instructor, Elementary Photography, Fall & Spring term, Pasadena City College, Pasadena, CA |
| Instructor, Art Appreciation, Spring term, Pasadena City College, Pasadena, CA | |
| 2005 | Instructor, Art Appreciation, Spring term, Los Angeles City College, Los Angeles, CA |
| 2001-05 | Photography Instructor, Armory Center for the Arts, Pasadena, CA |
| 1995-99 | Instructor and Coordinator, “Contemporary Photographers: Artist Lecture Series” Department of Academic Studies (Richard Hertz, Chair) Art Center College of Design, Pasadena, CA |
| 1994-97 | Graduate Student Advisor, Art Center College of Design, Pasadena, CA |
| 1995-96 | Instructor, Beginning and Advanced Black and White and Color Photography, Rio Hondo College, Whittier, CA |
| 1987-94 | Instructor, Beginning and Advanced Black and White and Color Photography, UCLA Extension, Los Angeles, CA |
| 1993 | Instructor, “Experimental Photography,” Department of Fine Art, (Lawrence Dreiband, Chair) Art Center College of Design, Pasadena, CA |
| 1987-93 | Instructor, Black and White Fine Art Photography, Mount St. Mary’s College (Chalon campus), Los Angeles, CA |
| 1991-92 | Instructor, “Fundamentals of Art,” Mount St. Mary’s College (Doheny campus), Los Angeles, CA |
| 1987-88 | Instructor, “Photography as Art,” (photography for non-art majors), California State University at Northridge |
| LECTURES, PANELS AND WORKSHOPS | |
| 2018 | Artist Lecture, Carolie Parker & Laura Parker, (forthcoming), BigTown Projects Gallery, Rochester, VT |
| 2017 | Artist Lecture, “Laura Parker, Imagining Infinity,” SPARC, South Pasadena, CA |
| 2015 | Photo Chat: without a camera, Groundspace Project, Los Angeles, CA |
| 2011 | Juror, Scholastic Achievement Awards in Photography, Los Angeles, CA |
| 2010 | Guest speaker for Experimental Photography, Pasadena City College, California |
| Guest speaker, Photography, Ventura Community College, Ventura, CA | |
| Guest speaker, Photography, Harvard-Westlake School, N. Hollywood, CA | |
| 2007 | Guest speaker for Tal Yizrael’s Photography Seminar, Tri-Community Photography Center, Covina, CA |
| 2004 | Artist Lecture “Spotting: the viewing devices of Chenoweth, Davis and Parker,” Pasadena City College Art Gallery, Pasadena, CA |
| 2003 | Guest speaker/presenter for Victoria Martin’s Advanced Photography class, Pasadena City College, Pasadena, CA |
| 2002 | Workshop “Light Traces/Casting spaces,” MAK DAY: Envisioning Architecture, M A K Center, Schindler House, Los Angeles, CA |
| 2001 | Panel member: “Body of Work,” Discussion with Geoff Allen, Cherie Benner Davis and Seth Kaufman. Moderated by Deborah Aschheim, California State University, Fullerton, Santa Ana, CA |
| 1999 | Guest speaker, Contemporary Photographers, Art Center College of Design, Pasadena, California |
| 1994 | Guest speaker, Contemporary Photographers, Art Center College of Design, Pasadena, California |
| 1993 | Guest speaker, Contemporary Photographers, Art Center College of Design, Pasadena, California |
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